Well, I'm back to Thursday afternoon theatre matinees!
Dreamingspires Playhouse's production this week is
'Blackbird' by David Harrower, on it's first UK tour.
This drama had THE most overwhelming reviews in its pre-publicity blurb, of any play I've seen to-date this year...
"A dance of death to the music of love and betrayal" Whats On Stage
"An extraordinary no-holds-barred drama" The Daily Telegraph.
"Gripping... Thrilling... a Sensation" The Sunday Times.
"An unmissable image of obsessive love" The Observer.
" Five Star! One of the most daring plays of recent years" Scotland's Sunday Herald.
" The gifted David Harrowers's intense and emotional play is a miracle" The New York Times.
And, I could go on!
Before seeing the production, I also, learnt that
'Blackbird' had been written for the Edinburgh International Theatre Festival in 2005; had, had highly successful seasons in both London's West End & on Broadway: had picked up the Laurence Oliver 2007 award for
'Best New Play'; and was recently premiered in Sydney directed by Cate Blanchett.
So, to put it mildly, my expectations were extremely High!!!
However, I was still totally unprepared for the quite extra-ordinary, in many ways disturbing but brilliant drama I saw unfold on stage.
It was not one for the faint hearted or narrow minded!
I belatedly realised why it not suitable for the under 16's too!

All I knew of the story line was that it was about Ray, who has to confront his past when Una arrives unexpectedly @ his office & intense scenes followed, as they recollect their passionate love affair of some 15 years earlier.
But, from the first moment the couple meet on stage, it's obvious that all is not what it immediately seems.
What is quickly revealed, instantly has one's emotions reeling.
When Ray first talked to Una @ her father barbecue party, he was forty plus, she was just twelve!!!
The relationship that followed, resulted in him being charged with & convicted of paedophilia.
Yet that's not what the plays really about, as it looks @ that very grey area of 'love' between to individuals, divided by a forbidden unacceptable age gap.
It becomes clear that Una, was old for her years, developed an all enveloping crush on Ray, & pursued him.
While he became unhealthy obsessed with her.
She tempts him, & he takes advantage of a young girl when he, as the adult, should have know to behave better.
As a consequence of his deeds, Ray went to prison & was badly treated as convicted paedophiles are; when he was released he made a new life for himself with a new identity, Peter, in a different place.
But, Una was unable to move forward & escape, trapped in her local community, branded by her neighbours, shunned by her friends & berated by her parents, she's grown up disturbed, unable to let go of the affair.
As tensions rise, we learn, that both have more to tell each other about what actually happened in the past.
Ray & Una ran away together, with plans to flee the country .
In a Guest House in Tynemouth, waiting for the ferry, they have illegal under age sex. He leaves her in bed to buy cigarettes. Una now, berates him with
"You left me alone. You left me in love"He appears not to come back for her, she panic's & runs out into the town in search of him & is found distraught.
The police are called in & the story of the affair unravels.
But, in truth he didn't abandon her.
He went for a drink for 'Dutch Courage' @ a pub, before returning to the Guest House for her, finding her gone, he searched the town in vain & then fled, before handing him-self over to the police.
After these recollections, they draw close to each other again...

And, it's very clear they still hold strong feelings for each other. For one moment, I thought I really was going to actual sex on the stage, as physical passion boils over!!!
As they draw apart & then seem to reach some point of common ground & understanding and we the audience grapple with the concept of when is love abuse; Ray's new partners young daughter makes an appearance, bringing home the enormity of his sexual folly.
He frantically tells that Una, that she was his only 'child' love.
She desperately pleads with him to stay with her, but he leaves, leaving the truth hanging in the air???
It was all so mesmerising when this final scene ended, we, the audience were too stunned to immediately clap.
Or, I should say applaud loudly & enthusiastically!
This was some, gripping highly charged emotional play.
And, not the easiest to review!
There was no interval, so no let-up from the relentless barrage of powerful feelingss - anger & love & laughter, yes laughter there was, and misery a plenty.
The single set was a rubbish littered dreary office staff room, I'm guessing, it was meant to symbolise messy lives!!!
The two actors, both recognisable British TV stars; Robert Daws, from ITV's 'The Royal' & more familiar to me, Dawn Steele from BBC's 'Monarch of the Glen - she played Lexie; were superb. The raw emotions they brought to their parts was spell binding.
Robert as the now aging sagging Ray, dragged unwillingly out of his safe new life into the past, inspired both initial distaste then genuine sympathy & understanding.
Dawn, as the nervous, permanently damaged Una was touching, & so believable as the attractive young woman who on the surface has everything, looks, good job, nice flat but was so deeply scared inside.
It certainly wasn't the most comfortable play to watch, but unlike the Clean House which touched another raw nerve with me, this one I'm strangely glad I saw, differcult as it was @ times to watch!
I think all the praise lavished on the production is well justified.
From the lyrics of the Beatles 1968 song 'Blackbird'
"Blackbird singing in the dead of night,
Take these broken wings and learn to fly.
All your life,
You were only waiting for this moment to arise."
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Coments Recieved:-
Simba said...
The play sounds really interesting. Simba xx
25 April 2008 10:01
Maggie & Mitch said...
What a gripping story this must have been to see in person! Great review, Blue!Love ya lotsMaggie and Mitch